• Home
  • Themes
    • Israel/Palestine
    • History
    • People and minorities
    • Women
    • Conflicts
    • Religion
    • Economy
    • Terrorism
    • Media
    • Human Rights
    • Societies
    • Environment
    • Culture
    • International Relations
    • Politics
  • Countries
    • North Africa
    • “Levantine Countries”
    • Gulf States
    • Europe
    • United States
    • Russia
    • Turkey
    • Iran
    • Asia
    • Sub-Saharan Africa
    • Caucasus
    • LatinAmerica
  • Books
  • Dossiers
  • Who we are
  • Why this website?
  • Support Orient XXI
  • Independent media on the Arab world
  • Home
  • Themes
    • Israel/Palestine
    • History
    • People and minorities
    • Women
    • Conflicts
    • Religion
    • Economy
    • Terrorism
    • Media
    • Human Rights
    • Societies
    • Environment
    • Culture
    • International Relations
    • Politics
  • Countries
    • North Africa
    • “Levantine Countries”
    • Gulf States
    • Europe
    • United States
    • Russia
    • Turkey
    • Iran
    • Asia
    • Sub-Saharan Africa
    • Caucasus
    • LatinAmerica
  • Books
  • Dossiers

Peter Harling

Fondateur et directeur de Synaps.

  • The image appears to be an abstract painting featuring several figures engaged in a dynamic scene. The colors are vivid and varied, with a palette that includes blues, pinks, greens, and blacks. The figures seem to represent a group in action, with some holding weapons and others in more passive poses. The background is painted with soft, flowing lines that suggest a landscape, possibly hills or mountains, adding to the scene's dramatic feel. The overall composition is energetic and conveys themes of struggle or conflict, while the abstract style emphasizes emotional rather than literal interpretations. Interview Middle-East: “These wars act as an accelerator of our own fascism” Peter Harling · December 2024 In addition to their repercussions for Gaza, the events of 7 October 2023 have caused an upheaval throughout the Middle East, with consequences most visible in Lebanon and Syria. But while geopolitical rhetoric is superabundant, Peter Harling, founder of “Synaps”, analyses these events in terms (…)
  • The image depicts a crowd gathered in an urban setting, likely during a protest or demonstration. In the foreground, a man holds a large sign with Arabic text, which translates to "Our demands are not to be ignored." In the background, there is a building displaying the Egyptian flag, suggesting a context related to political or social issues in Egypt. The scene conveys a sense of activism and public expression, with people rallying for their rights or changes in governance. Egypt’s Quest for Itself Peter Harling, Yasser El Shimy · January 2014 Egypt’s transition is as contradictory and tempestuous as the current state of its society, and tells us much about it. What is still lacking is a sense of direction that could reassure both Egyptians and onlookers on where it is heading. Instead, a whirlwind of reversals, about-faces, and false (…)
  • Independent media on the Arab world
  • Support Orient XXI
  • Who we are
  • Why this website?
© Association Orient XXI, 2013-2025 – 10, rue des Prairies, 75020 Paris, France – ISSN 2270-0978