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Orient XXI Themes > Economy

Economic crisis

  • The image depicts a series of figures standing in line, perhaps at a train station. They are shown bending forward, suggesting a sense of fatigue or defeat. The background features stylized train designs, contributing to the transport theme. The color palette is primarily orange and black, with a minimalist, illustrative style. The overall mood seems to convey a sense of routine or the daily grind associated with commuting. Egypt. The Losers of Liberalisation Maye Kabil · November 2018
  • The image depicts a large crowd of people gathered on a street, likely participating in a protest or demonstration. The individuals appear to be expressing their views passionately, with some holding signs. The setting includes buildings and urban infrastructure, indicating the event is taking place in a city. The atmosphere seems intense, with many people visible in the foreground and background, suggesting a significant turnout for the event. When Iraqi Kurds demand change Rojbin Muslim · January 2018
  • The image features a mural on a wall depicting two main figures. On the left, a man in a suit sits at a table covered with a red tablecloth, holding a loaf of bread and looking directly at the viewer. To the right, another figure dressed as a waiter stands with a tray, while dark shadows cast behind them suggest more figures or a hidden narrative. The phrase "THE RICH FEED ON THE POOR" is painted prominently nearby, conveying a theme of social inequality and critique of class disparity. The background includes urban elements like buildings and greenery, adding to the setting of the mural. Persistent Stagnation of Arab Economies Jean-Pierre Sereni · October 2017
  • The image depicts a formal meeting taking place in a well-lit, elegantly furnished room. A group of professionals is seated around a coffee table, engaged in discussion. On one side, a person in a suit appears to be leading the conversation, while others listen attentively. The room features tasteful decor, including paintings on the walls and a floral arrangement on the table, creating a calm and sophisticated atmosphere. The group consists of both men and women, indicating a diverse representation. “Civil Society” in Tunisia: the Ambivalence of a New Seat of Power Hèla Yousfi · January 2017
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