• Home
  • Themes
    • Israel/Palestine
    • History
    • People and minorities
    • Women
    • Conflicts
    • Religion
    • Economy
    • Terrorism
    • Media
    • Human Rights
    • Societies
    • Environment
    • Culture
    • International Relations
    • Politics
  • Countries
    • North Africa
    • “Levantine Countries”
    • Gulf States
    • Europe
    • United States
    • Russia
    • Turkey
    • Iran
    • Asia
    • Sub-Saharan Africa
    • Caucasus
    • LatinAmerica
  • Books
  • Dossiers
  • Who we are
  • Why this website?
  • Support Orient XXI
  • Independent media on the Arab world
  • Home
  • Themes
    • Israel/Palestine
    • History
    • People and minorities
    • Women
    • Conflicts
    • Religion
    • Economy
    • Terrorism
    • Media
    • Human Rights
    • Societies
    • Environment
    • Culture
    • International Relations
    • Politics
  • Countries
    • North Africa
    • “Levantine Countries”
    • Gulf States
    • Europe
    • United States
    • Russia
    • Turkey
    • Iran
    • Asia
    • Sub-Saharan Africa
    • Caucasus
    • LatinAmerica
  • Books
  • Dossiers
Orient XXI

Marxism

  • The image features a man seated at a table, wearing a suit and tie. He has a full head of curly hair and is holding a pipe in his mouth, which gives him a thoughtful or contemplative appearance. The setting seems to be a formal or professional environment, likely during a meeting or discussion. The lighting is subdued, which adds to the serious tone of the scene. Maxime Rodinson: What Marxism Can Teach Us About the History of Islam Renaud Soler · September 2023
  • The image features a reflection captured on a glass surface, likely a window or a bus. It shows the distorted but vivid outlines of modern buildings that appear damaged or abandoned, suggesting a scene of urban decay. The reflection also includes a figure partially visible, wearing what looks like a patterned scarf or headdress. The overall tone of the image is monochromatic, emphasizing the somber, evocative nature of the scene. The contrast highlights the interplay between the busy life outside and the desolation depicted in the reflection. An Arab Revolutionary Legacy? Yassin Al-Haj Saleh · March 2021
  • The image depicts a young individual sitting in a thoughtful pose, holding a rifle. They are wearing traditional attire, including a headscarf. The background appears to be blurred, suggesting a group of people or a gathering. The mood conveyed is serious and contemplative, highlighting themes of conflict or struggle. Oman: How the Shah of Iran Saved the Regime Marc Pellas · March 2020
  • The image appears to be a black-and-white depiction of a group of people walking. They are wearing headscarves, and their expressions convey a sense of determination or seriousness. The scene is likely conveying a historical or social context, emphasizing themes of struggle or protest. The artistic style gives it a dramatic and powerful feel, highlighting the figures against a lighter background. After the Defeat, The Arab Left on the Offensive Nicolas Dot-Pouillard · August 2017
  • Independent media on the Arab world
  • Support Orient XXI
  • Who we are
  • Why this website?
© Association Orient XXI, 2013-2025 – 10, rue des Prairies, 75020 Paris, France – ISSN 2270-0978