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Orient XXI Themes > Conflicts

Gaza 2023-2025

  • The image depicts a busy street scene in an area that appears to have experienced significant damage, as evidenced by the rubble and destroyed buildings in the background. In the foreground, a woman wearing a black hijab is sitting beside a young boy. They are surrounded by stacks of canned goods and other products that appear to be for sale, indicating a market or makeshift shop. People are seen walking through the street, some engaging in commerce amid the chaotic surroundings. Colorful umbrellas, likely providing shade, add contrast to the scene. Overall, it captures a moment of resilience and daily life amid challenging conditions. Every war has its profiteers Rami Abou Jamous · 31 January
  • The image shows a child wearing a blue jacket walking along a sandy landscape. In the background, there are numerous temporary shelters, likely tents or makeshift homes, scattered across the terrain. The sky is a mix of soft colors, indicating either dawn or dusk. A fence topped with barbed wire runs along the foreground, adding a sense of restriction or boundary to the scene. The overall atmosphere conveys a sense of hardship, amidst the child's movement. To boost people’s morale, sometimes you have to tell them lies Rami Abou Jamous · 25 January
  • The image depicts a close interaction between an adult woman and a child. The woman is gently kissing the child on the forehead, while the child looks directly at the camera with a serious expression. There are hands visible in the foreground, suggesting that others are present nearby. The overall atmosphere conveys a sense of warmth and tenderness despite the child's intense gaze. The setting appears to be intimate, possibly capturing a moment of care and connection in a challenging situation. “If there’s a ceasefire, what’s the first thing you’ll do?” Rami Abou Jamous · 22 January
  • The image depicts a desolate landscape featuring extensive destruction, with several ruined buildings scattered throughout the area. In the foreground, there is a dirt road winding through the wreckage. Among the ruins, an Israeli flag can be seen prominently displayed, suggesting a connection to the location. The background shows additional structures and what appears to be a mountainous or hilly terrain, indicating a possibly rural setting. The overall scene conveys a sense of abandonment and turmoil. In South-Lebanon, Israel’s war is not finished Laurent Perpigna Iban · 9 January
  • The image appears to be an abstract painting featuring several figures engaged in a dynamic scene. The colors are vivid and varied, with a palette that includes blues, pinks, greens, and blacks. The figures seem to represent a group in action, with some holding weapons and others in more passive poses. The background is painted with soft, flowing lines that suggest a landscape, possibly hills or mountains, adding to the scene's dramatic feel. The overall composition is energetic and conveys themes of struggle or conflict, while the abstract style emphasizes emotional rather than literal interpretations. Middle-East: “These wars act as an accelerator of our own fascism” Peter Harling · December 2024
  • The image depicts a scene of destruction, likely from a conflict area. In the foreground, a person wearing a blue vest with "UN" printed on it stands, facing a damaged building with shattered windows and debris scattered around. The building has signs of neglect, with graffiti and remnants of what may have been a children's play area. People can be seen in the background, possibly assessing the situation or providing assistance. The overall atmosphere conveys a sense of urgency and the aftermath of turmoil. Israel versus the UN: an old story Sylvain Cypel · October 2024
  • The image depicts an abstract, surrealist painting featuring a dynamic figure with exaggerated and distorted features. This figure appears to be in motion, possibly dancing or running, with flowing garments that blend into the surrounding landscape. The colors are vibrant, with a mix of earthy tones and bold reds, creating a sense of drama. In the background, there are hints of a sky and horizon that ground the scene, while the figure itself evokes a sense of emotional intensity and chaos. The overall composition combines elements of the bizarre and fantastical, characteristic of surrealism. Gaza - Lebanon : The Western World’s War Alain Gresh, Sarra Grira · October 2024
  • The image depicts an interior view of a legislative assembly or parliament. The chamber is spacious, featuring a semi-circular arrangement of desks for members. At the front, there is a podium where a speaker or official is addressing the assembly. Large screens on either side display information or the speaker to the attendees. The walls are adorned with drapes and emblems, contributing to a formal atmosphere. Members of the assembly are seated, engaged in discussion or listening attentively. The overall setting is one of a governmental deliberation space, likely during a session or meeting. Elections in Jordan: The parties’ return to parliament Camille Abescat · October 2024
  • The image depicts a moment of interaction between two individuals at a conference or event. Both people are smiling and engaged in a handshake, suggesting a friendly and positive exchange. The person on the left is wearing a suit, while the individual on the right is dressed in traditional or cultural attire with a colorful shawl. In the background, there are other attendees, some seated and others standing, indicating a busy atmosphere typical of a conference. The setting appears to be indoors, likely within a large hall or meeting room. Palestine. The Right to be Like Any Other People Mostafa Barghouti · October 2024
  • The image depicts a group of protesters marching in a city setting. They are holding banners and signs with messages emphasizing justice for Palestine and accusing McGill University of funding genocide. The atmosphere appears serious and focused, with the protesters displaying solidarity on the issue. The urban environment features tall buildings in the background, indicating that this is a public demonstration. Gaza. Montreal Students Use Divestment to Sanction Israel Farah Mekki · August 2024
  • The image depicts two men, wearing white turbans and traditional garments, standing at a podium with microphones. One man is prominently holding an assault rifle above his head, while the other looks on. The background features a large, colorful mural or poster, possibly of a political figure or symbol. The scene suggests a demonstration or rally, conveying themes of power and assertiveness. Gaza. The Shifting Contours of the Lebanese Political Scene Sarra Grira · August 2024
  • The image shows a protest scene with demonstrators in the background. In the foreground, a person is holding a sign that reads, "A Vote for Labour is a Vote for Genocide. NO Ceasefire, NO fucking VOTE!" The atmosphere appears to be charged with political activism, indicating strong sentiments regarding a current political issue. British Elections and the Gaza War Helen Lackner · July 2024
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