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Orient XXI Countries > “Levantine Countries”

Iraq

  • The image features a complex geometric design composed of various shapes and patterns. Central to the composition is a large hexagonal structure, surrounded by intricate lines and smaller geometric figures, including cubes. The design uses a palette of colors, including blue, black, and red, with some areas highlighted in green and orange. The background includes grid-like patterns, adding depth and structure to the overall design. The arrangement appears both mathematical and artistic, creating a sense of symmetry and precision. Iraq, or the “Axis of Resistance” Upset Robin Beaumont · 7 January
  • The image depicts a beautifully constructed building featuring intricate architectural details, likely in a historic or culturally significant area. The facade showcases ornate designs, colorful window frames, and a balcony adorned with wooden railings. The ground level appears to have some protective coverings, possibly due to ongoing renovations or maintenance. Surrounding the building, there are orange traffic cones indicating restricted access in that area. The overall ambiance suggests a blend of tradition and vibrant community life. Iraq. Much hangs on the census Héloïse Wiart · December 2024
  • The image depicts the interior of a beautifully ornate religious site, characterized by intricate mirror work and elaborate decorations. The ceiling is adorned with shimmering tiles and a large chandelier, creating a luminous atmosphere. There is a golden structure at the center, likely a shrine or tomb, surrounded by a crowd of women wearing traditional black clothing, all appearing to be engaged in prayer or reflection. The walls and ceiling are richly decorated with calligraphy and other designs, enhancing the sacred ambiance of the space. Iraq. Karbala, safe haven for Lebanese refugees Héloïse Wiart · November 2024
  • The image depicts an abstract painting characterized by bold geometric shapes and vibrant colors. The left side features a chaotic arrangement of black, yellow, and gray shapes, creating a sense of density and complexity. In contrast, the right side showcases a more energetic composition with dominant red and black hues intermixed with white and yellow shapes. The overall effect is dynamic and visually stimulating, drawing the viewer's attention across the contrasting halves of the artwork. Arab World: Mental Health, a Political Issue Léonard Sompairac · August 2024
  • The image features a distinctive artwork created with blue ink on a light background. On the left side, there are various abstract and exaggerated facial sketches, some of which depict human features in a fragmented or surreal manner. These faces are blended together, creating a sense of chaos. On the right side, there is a more defined face that appears to be drawn with thicker lines, emphasizing the contours and expressions. Surrounding this face are elongated shapes that resemble abstract figures or objects, contributing to the overall artistic tension in the piece. The combination of detailed faces alongside more abstract forms suggests a contrast between clarity and abstraction. The artwork is signed "Peshawa" with a date of 2016. Iraq. Mental Health Between Wars, Drugs and Unemployment Mizar Kemal · August 2024
  • The image features a series of large pipelines leading towards a distant industrial facility, likely a refinery or processing plant. The foreground showcases the pipes arranged in a linear perspective, drawing the viewer's eye toward the structure in the background. The setting is illuminated by a warm, golden light, suggesting either sunrise or sunset, which creates an atmospheric and industrial ambiance. The landscape around the pipes appears open, possibly indicating a rural or undeveloped area. Petroleum. Turkey vs. Iraq, but the Kurds are Collateral Victims Benoît Drevet · September 2023
  • The image appears to be an abstract artwork featuring two stylized human figures on either side. The figures are composed of various patterns and textures, including grid-like designs and layered shapes. The color palette is primarily monochromatic with shades of black, white, and gray, along with some earthy tones. In the background, there are hints of nature, such as a palm tree silhouette, which contrasts with the geometric and abstract elements of the figures, suggesting a juxtaposition between the organic and the fabricated. Overall, the composition conveys a sense of complexity and thought-provoking imagery, inviting viewers to interpret its meaning. Paris-Washington, From Quarrels to Reconciliation Christian Jouret · March 2023
  • The image shows a missile or bomb lying on the ground among rubble and debris. The surrounding area is chaotic, with broken concrete and scattered materials suggesting destruction, possibly from an explosion or military action. The missile itself appears weathered and is partially covered in grime, indicating it has been in this location for some time. Iraq, Syria, Turkey… Trivialising the Use of Chemical Weapons Nina Chastel · January 2023
  • The image depicts a large gathering of people, seated on mats in an outdoor setting, likely in a city square. Many attendees are dressed in black, which is often associated with mourning or commemorative events. One man stands out, holding a prominent poster featuring a portrait of an individual wearing traditional attire, along with a flag in the background. The atmosphere suggests a significant religious or political event, characterized by unity and solemnity among the participants. Iraq’s Shi’ites Are Fighting Among Themselves Laurent Perpigna Iban · November 2022
  • The image features a beautifully crafted piece of calligraphy, predominantly using shades of blue. The design includes flowing, abstract shapes that suggest movement and grace, creating an artistic representation. At the base, there are colorful, intricate patterns that add richness and detail to the composition. The overall effect is harmonious and visually striking, blending traditional calligraphy with a modern artistic flair. Hassan Massoudy, Calligrapher of Emotions Emma Redondo · July 2022
  • The image depicts a man standing on cracked, dry land beside a wooden boat. The landscape appears parched, indicating a lack of water, possibly due to drought. The man is holding a bundle of vegetation or grass. In the background, other boats are visible, also resting on the dry ground. The scene conveys a sense of environmental distress and the challenges faced by individuals in regions affected by water scarcity. The sky is clear, and the sunlight emphasizes the harsh conditions of the landscape. Iraq. “Without Water, We Have No Life” Safaa Khalaf · November 2021
  • The image shows a cluttered scene filled with a massive amount of discarded items, including various types of debris, appliances, and objects that appear to be from different categories. Amidst this chaotic environment, a person is seen walking through the debris, navigating the piles of junk. The area looks like a dump or recycling site, emphasizing the vast accumulation of waste and the struggle to find salvageable materials within. “Boots on the Ground” leave footprints: the Anthropogenic Legacy of the US Military in the Middle East Bruce Stanley · September 2021
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