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  • Home
  • Themes
    • Israel/Palestine
    • History
    • People and minorities
    • Women
    • Conflicts
    • Religion
    • Economy
    • Terrorism
    • Media
    • Human Rights
    • Societies
    • Environment
    • Culture
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  • Countries
    • North Africa
    • “Levantine Countries”
    • Gulf States
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  • Books
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  • The image depicts a desolate landscape featuring extensive destruction, with several ruined buildings scattered throughout the area. In the foreground, there is a dirt road winding through the wreckage. Among the ruins, an Israeli flag can be seen prominently displayed, suggesting a connection to the location. The background shows additional structures and what appears to be a mountainous or hilly terrain, indicating a possibly rural setting. The overall scene conveys a sense of abandonment and turmoil. In South-Lebanon, Israel’s war is not finished Laurent Perpigna Iban
  • The image features a complex geometric design composed of various shapes and patterns. Central to the composition is a large hexagonal structure, surrounded by intricate lines and smaller geometric figures, including cubes. The design uses a palette of colors, including blue, black, and red, with some areas highlighted in green and orange. The background includes grid-like patterns, adding depth and structure to the overall design. The arrangement appears both mathematical and artistic, creating a sense of symmetry and precision. Iraq, or the “Axis of Resistance” Upset Robin Beaumont
  • The image appears to be an abstract painting featuring several figures engaged in a dynamic scene. The colors are vivid and varied, with a palette that includes blues, pinks, greens, and blacks. The figures seem to represent a group in action, with some holding weapons and others in more passive poses. The background is painted with soft, flowing lines that suggest a landscape, possibly hills or mountains, adding to the scene's dramatic feel. The overall composition is energetic and conveys themes of struggle or conflict, while the abstract style emphasizes emotional rather than literal interpretations. Middle-East: “These wars act as an accelerator of our own fascism” Peter Harling
  • The image depicts a tense scene possibly related to a protest or civil unrest. In the foreground, two individuals appear to be on the ground, with one person lying down and another sitting nearby. They seem to be taking cover or seeking safety. In the background, two mounted police officers are visible, equipped with flashing lights on their helmets. There's also an Israeli flag positioned on the ground, suggesting that the situation might involve themes of national identity or political protest. The setting looks urban, with structures and concrete present, contributing to a sense of urgency in the atmosphere. Israel: Open season on “bad Jews” Sylvain Cypel
  • The image features a man sitting with his back to a reflective surface, creating a mirror effect. He has short, dark hair and is wearing a light blue shirt. His expression is pensive, with a serious look on his face as he gazes thoughtfully to the side. The surroundings indicate a cozy indoor setting, with warm lighting and wooden elements in the background. The reflection captures both his profile and the contemplative mood of the scene. Kamel Daoud’s fascination for the far right Faris Lounis
  • The image depicts a lively street scene with several characters and activities. On the left, two people are seated at a table, enjoying drinks. Nearby, two police officers walk past, dressed in blue uniforms. In the center, a man and a woman are engaged in conversation at another table. A man and a child are seen walking by, with the child holding the man's hand and the man carrying a bag. The background features archways, contributing to the overall urban setting. The color palette is simple, with shades of blue and earthy tones. To keep Palestine and Lebanon in the headlines, support Orient XXI!
  • The image depicts a scene of destruction where a construction or demolition vehicle is actively tearing down a building, surrounded by a group of armed soldiers. The soldiers are wearing helmets and tactical gear, indicating a heightened security context. The background features a landscape with additional buildings, suggesting a possibly urban or conflict-affected area. The atmosphere appears tense, reflecting the serious nature of the situation being portrayed. Multinationals in Europe Continue to Flout International Law in Israel’s Occupied Territories Daniel Brown, Emma Tatham
  • The image depicts a moment of interaction between two individuals at a conference or event. Both people are smiling and engaged in a handshake, suggesting a friendly and positive exchange. The person on the left is wearing a suit, while the individual on the right is dressed in traditional or cultural attire with a colorful shawl. In the background, there are other attendees, some seated and others standing, indicating a busy atmosphere typical of a conference. The setting appears to be indoors, likely within a large hall or meeting room. Palestine. The Right to be Like Any Other People Mostafa Barghouti

Israel/Palestine + more

  • The image depicts a close interaction between an adult woman and a child. The woman is gently kissing the child on the forehead, while the child looks directly at the camera with a serious expression. There are hands visible in the foreground, suggesting that others are present nearby. The overall atmosphere conveys a sense of warmth and tenderness despite the child's intense gaze. The setting appears to be intimate, possibly capturing a moment of care and connection in a challenging situation. “If there’s a ceasefire, what’s the first thing you’ll do?” Rami Abou Jamous
  • The image depicts a desolate landscape featuring extensive destruction, with several ruined buildings scattered throughout the area. In the foreground, there is a dirt road winding through the wreckage. Among the ruins, an Israeli flag can be seen prominently displayed, suggesting a connection to the location. The background shows additional structures and what appears to be a mountainous or hilly terrain, indicating a possibly rural setting. The overall scene conveys a sense of abandonment and turmoil. In South-Lebanon, Israel’s war is not finished Laurent Perpigna Iban
  • The image depicts a tense scene possibly related to a protest or civil unrest. In the foreground, two individuals appear to be on the ground, with one person lying down and another sitting nearby. They seem to be taking cover or seeking safety. In the background, two mounted police officers are visible, equipped with flashing lights on their helmets. There's also an Israeli flag positioned on the ground, suggesting that the situation might involve themes of national identity or political protest. The setting looks urban, with structures and concrete present, contributing to a sense of urgency in the atmosphere. Israel: Open season on “bad Jews” Sylvain Cypel

Religion + more

  • The image features a complex geometric design composed of various shapes and patterns. Central to the composition is a large hexagonal structure, surrounded by intricate lines and smaller geometric figures, including cubes. The design uses a palette of colors, including blue, black, and red, with some areas highlighted in green and orange. The background includes grid-like patterns, adding depth and structure to the overall design. The arrangement appears both mathematical and artistic, creating a sense of symmetry and precision. Iraq, or the “Axis of Resistance” Upset Robin Beaumont
  • The image features a man sitting with his back to a reflective surface, creating a mirror effect. He has short, dark hair and is wearing a light blue shirt. His expression is pensive, with a serious look on his face as he gazes thoughtfully to the side. The surroundings indicate a cozy indoor setting, with warm lighting and wooden elements in the background. The reflection captures both his profile and the contemplative mood of the scene. Kamel Daoud’s fascination for the far right Faris Lounis
  • The image depicts a group of people, including soldiers, gathered on top of a military vehicle in an urban setting. Some individuals are gesturing and expressing emotions, while others appear to be observing or interacting with the crowd below. The environment is bustling, with buildings visible in the background, indicating a scene of protest or public demonstration. The atmosphere suggests a moment of tension or significant political activity. Understanding the Enigma of the Egyptian Left Hesham Sallam

Conflicts + more

  • The image depicts a gathering inside a beautifully decorated building with intricate architectural details. The hall features ornate tiles and a grand chandelier hanging from the ceiling. A crowd of people is visible, some holding up their smartphones to capture the moment. In the center, a man dressed in military-style attire stands on an elevated platform, addressing the audience. The atmosphere seems to be one of engagement and attentiveness, with many individuals focused on the speaker. Hayat Tahrir al-Sham : An ideological conversion under the microscope Patrick Haenni, Sarra Grira , Sylvain Cypel
  • The image depicts the interior of a beautifully ornate religious site, characterized by intricate mirror work and elaborate decorations. The ceiling is adorned with shimmering tiles and a large chandelier, creating a luminous atmosphere. There is a golden structure at the center, likely a shrine or tomb, surrounded by a crowd of women wearing traditional black clothing, all appearing to be engaged in prayer or reflection. The walls and ceiling are richly decorated with calligraphy and other designs, enhancing the sacred ambiance of the space. Iraq. Karbala, safe haven for Lebanese refugees Héloïse Wiart
  • The image depicts a chaotic and unsettling scene featuring skeletal figures of animals, likely dogs, in dynamic motion, as if they are running or leaping. They are interspersed with containers that appear to hold dismembered heads and bones, creating a stark contrast between the lively movement of the animals and the grim contents of the barrels. The overall color palette includes dark tones, with hints of muted colors highlighting the figures and the disturbing elements, contributing to a sense of unease and intensity in the artwork. For the Syrian Regime, ‘Everything Must Go, the People and All They Own’ Nina Chastel

People and minorities + more

  • The image depicts a beautifully constructed building featuring intricate architectural details, likely in a historic or culturally significant area. The facade showcases ornate designs, colorful window frames, and a balcony adorned with wooden railings. The ground level appears to have some protective coverings, possibly due to ongoing renovations or maintenance. Surrounding the building, there are orange traffic cones indicating restricted access in that area. The overall ambiance suggests a blend of tradition and vibrant community life. Iraq. Much hangs on the census Héloïse Wiart
  • The image shows two men engaged in conversation as they exit a building. One man, wearing glasses and a navy jacket, is looking at his phone while the other, dressed in a black suit, is holding a green folder. In the background, there are other people visible, indicating a busy environment, possibly a court or conference setting. The signage indicates different audience rooms, adding context to the location. France, Pessac. A classic example of governmental Islamophobia Rayan Freschi
  • The image depicts a large crowd gathered in a public space, participating in a demonstration or protest. Many people are holding brightly colored flags that feature a mix of horizontal and vertical stripes. The atmosphere appears energetic and spirited, with participants actively engaging with one another. Some individuals are raising their hands and clapping, suggesting a celebratory or passionate mood. In the background, various signs and posters can be seen, indicating that the event is likely focused on a specific cause or issue. Syria. In Suwayda the Druze Start their Own Revolution Mazen Ezzi

Economy + more

  • The image shows two men standing at the entrance of a building, likely the White House. One man is dressed in traditional attire with a white headscarf, while the other is in a formal suit. They are both smiling and posing for the camera, with one man waving and the other giving a thumbs-up. In the background, there are uniformed guards standing at attention. The scene conveys a sense of diplomacy and cordiality between the two leaders. The United Arab Emirates take a risky but winning gamble in the Middle East Fatiha Dazi-Héni
  • The image shows two men seated in a formal setting, likely in a government or diplomatic office. Both are wearing traditional attire, including white thobes and head coverings. They are positioned next to each other, with an ornate decorative background featuring curtains and a rich interior design. On the table in front of them, there are flowers and a few items, including a telephone. Behind them, a plaque with Arabic script can be seen, indicating the formal nature of the meeting. Kuwait. Parliament’s suspension jeopardizes an exception in the Gulf Claire Beaugrand
  • The image features a vibrant abstract design with intertwining lines and shapes. It includes a variety of colors, such as blue, red, yellow, and white, creating a dynamic and complex pattern. The background is dark, which enhances the brightness of the interwoven elements. Circular forms are scattered throughout, contributing to the overall sense of movement and depth, resembling a blend of organic and geometric motifs. The texture suggests a tactile quality, inviting viewers to explore the intricate connections within the composition. The Struggle for Mental Health Care in Lebanon’s Multiple Crisis Setting Layla Yammine

Societies + more

  • The image features a man dressed in a formal dark suit with a light blue tie. He appears to be in a professional setting, as suggested by the suit and tie. The background is bright red, which adds a striking contrast to his attire. The man looks serious and focused, possibly engaged in an official event or meeting. Egypt. Mostafa Madbouly, the man disfiguring Cairo Ibrahim Ezzeldin
  • The image features a complex, abstract design characterized by swirling patterns and textures. It predominantly uses deep reds and blacks, creating a rich, layered effect. The shapes appear almost fluid, with a sense of movement and depth, reminiscent of natural elements like lava or molten materials. Overall, it evokes a striking and intense visual experience. Anxiety-Depressive Disorders: Tunisians at The End of Their Tether Rihab Boukhayatia
  • The image depicts a figure wearing a green hoodie, with their face obscured by a decorative mask featuring intricate patterns. The mask covers the person's face, leaving only the hoodie and part of the neck visible. The background is dark, enhancing the contrast between the figure and the decoration on the mask. Overall, the image conveys a sense of mystery and anonymity. Jordan. The Easiest Solution: Why medication dominates psychotherapy? Abeer Juan

History + more

  • The image depicts a dark stone or slab with a textured surface. On the stone, there are lighter silhouettes that resemble human figures, arranged in a line. The figures appear shadowy and lack distinct features, creating an enigmatic and ghostly effect. Below the silhouettes, there are two arch-like shapes that could represent openings or doorways, adding depth to the composition. Overall, the piece evokes a sense of mystery and abstraction. Mental Health Treatment in Algeria. The Talisman and the Couch Ghada Hamrouche, Ghania Khelifi
  • The image features a distinctive artwork created with blue ink on a light background. On the left side, there are various abstract and exaggerated facial sketches, some of which depict human features in a fragmented or surreal manner. These faces are blended together, creating a sense of chaos. On the right side, there is a more defined face that appears to be drawn with thicker lines, emphasizing the contours and expressions. Surrounding this face are elongated shapes that resemble abstract figures or objects, contributing to the overall artistic tension in the piece. The combination of detailed faces alongside more abstract forms suggests a contrast between clarity and abstraction. The artwork is signed "Peshawa" with a date of 2016. Iraq. Mental Health Between Wars, Drugs and Unemployment Mizar Kemal
  • The image depicts two men in close proximity, engaged in a serious conversation. One man is dressed in a formal suit and tie, while the other is wearing a black shirt. They appear to be in an indoor setting, surrounded by several other individuals in the background, who are also dressed in formal attire. The atmosphere looks tense or important, suggesting a significant discussion is taking place. Israel’s Impunity, France’s Complicity Alain Gresh, Sarra Grira

Media + more

  • The image depicts a protest scene with a group of people holding up signs and banners. Some demonstrators are prominently featuring a sign with the number "54" crossed out, suggesting opposition to a specific law or regulation. One woman is speaking into a megaphone, leading the crowd in their protest. The atmosphere appears energetic and determined, with a focus on raising awareness or voicing their concerns regarding a particular issue. Tunisia: Media Under Pressure Lilia Blaise
  • The image features a close-up of a smartphone displaying the TikTok logo, which is designed with vibrant colors—predominantly red, blue, and white. A finger is pointing towards the logo on the screen, while a larger version of the TikTok logo is blurred in the background. The overall focus is on the application's recognizable branding. The Campaign Against TikTok or the Rivalry of Hypocrites Martine Bulard
  • The image depicts a human-like face that appears to be disintegrating or dissolving into a myriad of small blue and white pixels or digital fragments. The background has a dark gradient with hints of purple and additional pixelated elements, creating a sense of movement and abstraction. This representation evokes themes of technology, digital transformation, and perhaps the blending of human identity with digital existence. Focus on Israel Disinformation: Another Israeli Repression Technology for Sale Shir Hever

Human Rights + more

  • The image depicts a food stall featuring a large kebab or shawarma that's roasting on a vertical spit. The meat is visibly browning as it cooks, and there are flames underneath. The stall is covered by colorful umbrellas providing shade. In the foreground, a man stands behind the counter, likely the vendor, appearing to interact with customers or prepare food. The stall also displays menu items on signs, emphasizing its offerings. The atmosphere looks lively, typical of a street food setting. Egypt: The Shawarma Dispute Dalia Chams
  • The image features a smartphone with a screen displaying text related to technology used for investigating terror and crime. The background colors are blended in a way that resembles the flag of Ghana, with a prominent black star in the center. A shadow of a person is visible in the foreground, creating a sense of depth and intrigue. Israel’s Spyware Diplomacy in Africa Suraya Dadoo
  • The image depicts an outdoor event, likely a formal gathering or dinner party set up in a picturesque location. Tables are elegantly arranged with white tablecloths and chairs, and guests are dressed in formal attire, engaging in conversation. The ambiance is enhanced by decorative blue flags, likely representing the European Union, and hanging lanterns that illuminate the scene. Palm trees are visible in the background, adding a tropical feel, while a hotel or building looms in the background. The atmosphere appears lively and festive, suggesting a celebration or special occasion. UE-Egypt: A Disgraceful Partnership Baudouin Loos

Women + more

  • The image shows several women looking out of narrow windows in what appears to be a multi-story concrete building. The women are wearing headscarves and appear to be observing something outside with serious or concerned expressions. The building's exterior is worn and weathered, with visible signs of age and damage. The women are closely peering through the open windows, suggesting that they are trying to get a better view of something important happening outside. The overall mood of the image seems tense or somber. The Hushed Ordeal of Palestinian Women Meriem Laribi
  • The image shows two women in a modern workspace, engaged in an activity together. One woman, wearing a bright blue sweater, is standing and holding a stack of papers or a folder. The other woman, dressed in a pink top, is bending over a table, arranging or placing items. The table is cluttered with books, a laptop, and other materials, indicating a creative environment. There are plants in the background, adding a touch of greenery to the space. The overall atmosphere appears collaborative and productive. Algeria: Independent Publishers Are Opening New Vistas for Books and Archives Kenza Merzoug
  • The image depicts a group of women participating in a protest. They are holding up posters, some of which feature photographs of individuals. The women appear to be chanting or shouting, expressing their emotions passionately. Many of them are wearing face masks, likely due to health precautions. The background suggests an outdoor setting with trees, indicating that the demonstration is taking place in a public space. The atmosphere seems charged with activism and determination. Algeria. A Grey Area in the Family Code: Femicides Still Go Unpunished Ali Boukhlef

Culture + more

  • The image features a stylized representation of the Statue of Liberty, depicted in green against a bold red background. It appears to show two profiles of the statue side by side, highlighting its iconic features like the crown and facial details. The overall composition has an artistic and surreal quality, blending elements of color and form to create a striking visual effect. ‘Telk Qadeya’, anthem of divorce from the Western world Sarra Grira
  • The image features a beautifully crafted piece of calligraphy, predominantly using shades of blue. The design includes flowing, abstract shapes that suggest movement and grace, creating an artistic representation. At the base, there are colorful, intricate patterns that add richness and detail to the composition. The overall effect is harmonious and visually striking, blending traditional calligraphy with a modern artistic flair. Hassan Massoudy, Calligrapher of Emotions Emma Redondo
  • The image shows a modern office space with large glass windows, providing a view of the outside. Inside, there are several workstations with computers and ergonomic chairs. The walls are decorated with vibrant murals featuring stylized portraits of individuals, adding a creative touch to the environment. The overall ambiance is open and contemporary, with industrial elements like exposed ducts and warm lighting fixtures. The space appears to be designed for collaboration and innovation. Towards a New Arabic Pop? Pierre France

International Relations + more

  • The image features three men standing together, with national flags of Iran, China, and Saudi Arabia in the background. The person on the left is wearing a suit with an Iranian flag pin, the central figure is dressed in a blue suit, and the individual on the right is wearing traditional Saudi attire. They appear to be engaged in a conversation or moment of interaction, suggesting a diplomatic or friendly meeting. The setting seems to be outdoors, possibly at a state event or formal gathering. Saudi Arabia Relies on China to Secure its Normalisation with Iran Fatiha Dazi-Héni
  • The image depicts a group of men walking together, likely during a formal event or diplomatic visit. They are dressed in traditional attire, with some wearing long robes and others in suits. The setting appears to be an airport or other official venue, indicated by the presence of a private jet in the background. The men seem engaged in conversation, and the atmosphere suggests camaraderie or collaboration. The purple carpet hints at a ceremonial welcome. Pakistan-Arabia: Trouble in Paradise Jean-Luc Racine
  • The image depicts a grand building with a classical architectural style, likely a government or official structure. The facade features ornate details, including large windows and decorative elements. French flags are visible atop the building, indicating its significance. There is a wrought iron fence in front, along with columns that enhance the structure's elegance. The surrounding area appears to be urban, with a street visible in the foreground, suggesting the building is located in a city. The overall scene conveys a sense of history and importance. Diplomacy Without Diplomats? The Disputed Reform of the French Foreign Ministry Sophie Pommier

Politics + more

  • The image features a large mural on the side of a building, depicting a figure in formal attire, raising a hand in a gesture of greeting or salute. The background of the mural includes a red backdrop with a prominent depiction of the national flag of Tunisia. Below the mural, there is a scene of a small open area with umbrellas, likely providing shade for people sitting or gathering. Surrounding the area are some trees and bicycles, suggesting a lively community space. The sky is clear and blue, indicating a bright day. Tunisia: Exploiting Fear and Rivalries, Kais Saied Stands Alone at the Helm Sarra Grira
  • The image depicts a protest scene, likely in Tunisia. A crowd of people is marching down a street. Some participants are holding signs and flags. One prominent sign reads "ALL UNITED AGAINST DICTATORSHIP!" indicating the protest's focus on political issues. Among the crowd, a man stands out, waving a Tunisian flag and wearing a baseball cap and a jacket. The overall atmosphere suggests a movement against authoritarian rule, with participants expressing their collective dissent. Tunisia in the mirror of the democratic transition in Latin America Youssef Cherif, Richard Feinberg
  • The image shows a man seated in a lavish decor room, wearing traditional attire that includes a white thobe and a red and white checked keffiyeh held in place by an agal. He has a thoughtful expression and is gesturing with his hand. Behind him, there is a green flag, likely representing Saudi Arabia, and opulent furnishings in the background. Saudi Arabia: The Lasting Imprint of King Salman Philippe Gérard

Environment + more

  • The image depicts a flooded area, where individuals are walking through standing water. Two men are central in the foreground; one is carrying a bucket, while the other holds a rolled-up mat. In the background, makeshift shelters or homes are partially submerged, surrounded by trees and greenery. The scene reflects the impact of flooding, with water covering the ground and affecting the surrounding environment. The sky is overcast, suggesting ongoing adverse weather conditions. Climate Change Devastates the Sahel Rémi Carayol
  • The image shows an old water well situated in a vast desert landscape. The well is made from a large, cylindrical structure with a rusty metal exterior and a concrete base. At the top, there is a simple wooden frame holding a pulley and a couple of wheels, likely used for drawing water. Surrounding the well are sand dunes, displaying a warm golden color under a clear blue sky, emphasizing the arid environment. COP22 From Rhetoric to Action Warda Mohamed
  • The image depicts a lush oasis scene, featuring tall palm trees with dense foliage that creates a canopy of green overhead. The ground is sandy, with patches of water visible, suggesting a small stream or pool reflecting the surrounding greenery. The walls of the oasis are rugged and appear to be covered in moss or other green vegetation, adding to the lushness of the environment. The lighting indicates a bright day, casting dappled shadows throughout the space. Overall, it conveys a serene and tranquil natural setting. Why Water is an Endangered Vital Resource in the Maghreb Sana Sbouai
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