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  • Themes
    • Israel/Palestine
    • History
    • People and minorities
    • Women
    • Conflicts
    • Religion
    • Economy
    • Terrorism
    • Media
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  • The image depicts a person wearing a mask, standing in profile. He is dressed in a dark suit with a tie and appears to be engaged in an official event. In the background, multiple flags are visible, including those of Iran and Iraq, suggesting a diplomatic or governmental setting. The person appears serious and focused, possibly addressing an audience or participating in a press conference. Can Iraq Reform Itself Amid Chaos? Mohamed Shiaa, Sylvain Mercadier, September 2020 For more than three months, Mustafa Al-Kadhimi’s transitional government has ruled Iraq. As the ongoing sanitary crisis is only getting worse, budget deficit is widening due to low oil prices while Iraqi’s living conditions are going from (…)
  • The image shows a modern office space with large glass windows, providing a view of the outside. Inside, there are several workstations with computers and ergonomic chairs. The walls are decorated with vibrant murals featuring stylized portraits of individuals, adding a creative touch to the environment. The overall ambiance is open and contemporary, with industrial elements like exposed ducts and warm lighting fixtures. The space appears to be designed for collaboration and innovation. Towards a New Arabic Pop? Pierre France , September 2020 The grand return of the music industry to the Arab world since 2018 is not easy nor successful so far. Furthermore, it has come along with the return of historic players in the region, such as the Saudi company Rotana, as much as it has confirmed (…)
  • The image shows a large building illuminated with colorful lights at night, displaying the colors of a flag: red, green, and white. In the foreground, an elderly man is sitting in a plastic chair, looking at his phone. The scene conveys a sense of tranquility, with the illuminated building serving as a striking backdrop in a public square. In the background, other people can be seen walking or engaging in activities. The atmosphere appears calm and reflective. Israel-Emirates. Neither Betrayal nor History-Making Deal Hicham Alaoui , September 2020 Political observers have voiced contrasting opinions about the peace treaty between Israel and the Arab Emirates. Some have seen it as a monumental betrayal, others as an historic breakthrough. (…)
  • The image depicts a group of men at a public gathering or protest. They are raising their hands in the air, with some holding sticks or flags. The man at the center is wearing a mask and appears to be leading or participating actively in the event. In the background, there is a large banner in Arabic, suggesting a political or social message. The mood of the event seems to be one of solidarity or protest, with participants visibly engaged. Gaza: “Pacification” in Exchange for Health Security Sarah Daoud, August 2020 In the context of a worldwide pandemic which for the moment has spared the overcrowded Gaza territory, negotiations between Hamas and Israel, with the active participation of Egypt, are aimed at (…)
  • The image shows two prominent political figures walking side by side. The person on the left is wearing a traditional clerical outfit, including a white turban and long black robe, while the person on the right is dressed in a formal suit with a tie. They appear to be engaged in conversation or moving through a venue, accompanied by several other individuals in the background. The setting appears to be formal and possibly involves diplomatic discussions or a meeting. The Iranian View of Hiroshima: Beyond Anti-US Ideology? Banafsheh Keynoushmulti , Clément Therme , August 2020 Seventy-five years after 1945, the Islamic Republic of Iran is instrumentalizing the memory of the United States dropping atomic bombs on Hiroshima and (…)
  • The image shows a person in a mask and a cap standing in a room filled with hospital beds. The beds are arranged in neat rows, and the area appears organized and prepared, possibly for medical purposes. The individual is interacting with the beds, which may indicate they are setting up or maintaining the space. The lighting in the room is warm and soft, contributing to a calm atmosphere. Iraq: The Ministry of Death Under Fire Quentin Müller, August 2020 The Iraqi health system is on the road to ruin. The country’s public hospitals, where the medical practice was once the finest in the Arab world, have become places of bribery, theft and murderous clientelism. At a time when the (…)
  • The image features a man with a thoughtful expression, sitting in a wooden chair. He has a beard and glasses, and he appears to be deep in contemplation. The lighting is soft, creating a moody atmosphere, and the background is blurred, focusing attention on his contemplative demeanor. The photograph has a classic black-and-white aesthetic, emphasizing the seriousness of the moment. Books From anticolonialism to Zionism: the variations of Albert Memmi Hèla Yousfi , August 2020 The Tunisian-born writer and essayist, who died on May 22, 2020, was the author of major books on colonization such as the famous The Colonizer and the Colonized written in 1957. Albert (…)
  • The image shows a street sign. The sign is rectangular and features a blue background with white lettering. It includes text in French that reads "RUE DES NÈGRES," along with Arabic script above it. The sign appears to be weathered, with some signs of wear and tear. Black lives scorned: The Wretched of the Maghreb Rafik Chekkat , August 2020 Voices from the Arab world, like that of Palestinian actress Maryam Abou Khaled, have touched off a debate over the racism suffered by the Black population of North Africa and the persistent legacy of centuries of (…)
  • The image depicts a person wearing a black hijab and a face shield, shopping for clothing in a store. They are holding a white shopping bag and carefully examining different tops displayed on hangers. The store features a colorful array of clothing items, including various shades of purple, yellow, and floral patterns, hanging on racks in the background. The environment suggests a retail space focused on apparel, likely catering to a diverse range of styles. Overwhelmed by sanctions and Covid-19, Iran turns to China Shervin Ahmadi, August 2020 The draft agreement between Iran and China, which is preparing to undertake massive investments in transports and industry has caused controversy, even in Tehran. But the population’s main concern (…)
  • The image depicts a financial trading environment, likely within a stock exchange. In the foreground, there is a large electronic display board showing various financial data, such as stock prices and indices, with green and red text indicating changes in value. Below the board, there are several black leather seating areas where traders or visitors might be sitting. One individual, dressed in traditional attire, appears to be engaged with a computer or taking notes. The overall atmosphere suggests a busy and professional financial setting. Change of course for the Gulf States’ Sovereign Wealth Funds Sebastian Castelier, July 2020 Their sovereign funds are multi-faceted bodies which invest the Gulf states’ budget surpluses on the world’s stock exchanges. But the volatility of oil prices, the increasing debt ratios and (…)
  • The image features a historic building with a distinctive architecture, likely resembling the Hagia Sophia, surrounded by a textured, painterly background. In the foreground, a Turkish flag is prominently displayed on a flagpole, adding a nationalistic touch. The overall aesthetic has a vintage or weathered appearance, with a dramatic sky above and intricate details of the building's structure, including domes and arches. The scene conveys a sense of history and cultural significance. Turkey: The “Reconquest” of Hagia Sophia, a Bad Movie Jean-François Pérouse, July 2020 On 19th July, President Recep Tayyib Erdoğan took himself to Hagia Sophia to check on preparations for the first Friday prayer, which was to coincide—what a historical clash!—with the anniversary of (…)
  • The image depicts a figure holding up a large key above their head, symbolizing hope or the right of return, set against a backdrop of a wall. In the distance, a dome topped building can be seen, likely representing a significant location. The overall tone suggests themes of struggle and aspiration related to identity and heritage. Op-ed The Right to Inheritance and to Return, Keys to Peace in Palestine Ilan Pappe , Tamar Yaron, Uri Davis, July 2020 The “peace process” which culminated in the Oslo Accords in 1993 has failed to ignore two key issues: the nature of the State of Israel and that of the right of return of the (…)
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