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  • Home
  • Themes
    • Israel/Palestine
    • History
    • People and minorities
    • Women
    • Conflicts
    • Religion
    • Economy
    • Terrorism
    • Media
    • Human Rights
    • Societies
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  • Countries
    • North Africa
    • “Levantine Countries”
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  • The image depicts a large crowd gathered, likely in an outdoor setting, with many individuals holding Turkish flags. People appear to be passionately engaged, with expressions of enthusiasm and solidarity. Some individuals are wearing traditional attire, while others wear modern clothing. The background features a building adorned with large banners, adding to the sense of national pride and collective emotion in the scene. The atmosphere seems charged with energy, suggesting a demonstration or celebration of national significance. In Turkey, “Politics Still Wears a Moustache” Hazal Atay, December 2017 On 5 December 1934, Turkish women won the right to vote in national elections, ten years before the women of France. They had already been able to vote and run for office in local elections since (…)
  • The image shows a man wearing a traditional headscarf, often referred to as a keffiyeh or ghutrah, with a red and white pattern. He is standing outdoors, possibly in a rural area, with stone structures visible in the background. The man appears to be smiling or in a candid moment, holding a cigarette between his fingers. The setting is bright, indicating a sunny day, and the landscape around him includes some greenery and dirt paths. A Tale of Two Evils: ISIS is Gone, but the Tobacco Industry Remains Faisal Abualhassan, December 2017 Smoking was the first act of many people released from control of the Islamic state. Yet cigarettes remain a major danger in the Arab (…)
  • The image depicts a historical scene in a narrow street, likely during a protest or demonstration. In the foreground, a group of people is visible, with a man raising a banner or flag, indicating a spirited display. There are several individuals, including children, observing the scene. Two uniformed officers can be seen in the foreground, suggesting a presence of law enforcement. The atmosphere appears tense, with people engaged in an active moment, highlighting social or political unrest. The black-and-white format emphasizes the historical context of the image. Socialist Revolution in Arabia Half a Century Ago, the Independence of Yemen Helen Lackner , November 2017 A few weeks after the defeat of Arab countries against Israel in June 1967, Southern Yemen gained independence following an insurgent movement against the British presence. The most (…)
  • The image depicts a soldier standing in the foreground, holding a rifle and wearing military gear, including a helmet and camouflage uniform. The soldier appears vigilant as they face away from the camera. In the background, there is a woman walking away, carrying a large bundle of sticks on her head, dressed in a brightly colored traditional outfit. The setting looks like a rural area with simple mud-brick structures and some sparse vegetation, indicating a dry environment. The overall scene suggests a blend of military presence and civilian life in a remote location. “Constructive Chaos” Extends Into the Sahel Abdelkader Abderrahmane, November 2017 In January 2013, France launched Operation Serval, which was to stop terrorist groups. Five years later, nothing has been solved and chaos is spreading in the region, a chaos that only security and arms (…)
  • The image depicts a group of people at a political rally or event. In the foreground, a woman dressed in a white suit is speaking into a microphone, raising her arm with a gesture that signifies support or determination. Behind her, several men are visible, some clapping and others making similar gestures. The background features a large red banner, which may be associated with the event or political party. The overall atmosphere seems to convey enthusiasm and solidarity among the attendees. Meral Akşener, a Woman against Recep Tayyip Erdoğan A Reformer or a Turkish Marine Le Pen? Matthieu Eynaudi, Max-Valentin Robert, November 2017 On 25 October 2017, Meral Akşener founded a new group, “The Good Party” (Iyi Parti). The former Minister of Home Affairs is often compared with Marine Le (…)
  • The image depicts a lively protest or demonstration taking place in an urban setting, likely in a city square. Participants are holding banners and flags, prominently featuring a design related to the Sahara. The banners include messages advocating for self-determination, with phrases like "Sahara Autodeterminazione" visible. The crowd consists of diverse individuals, including families and children, all appearing passionately engaged in the event. The background includes buildings and advertisements, adding to the urban atmosphere of the gathering. Rain can be seen drizzling, suggesting a potentially challenging weather environment for the demonstrators. Editorial Kurdistan, Sudan, Western Sahara, Yemen: On People’s Right To Self-Determination Orient XXI, November 2017 A people’s right to self-determination has been somewhat neglected over the past few decades, but Catalan demands for independence have brought it back into (…)
  • The image shows a soldier or combatant wearing a camouflage uniform and a traditional scarf, possibly indicating a specific cultural or regional background. The individual appears to be in an urban or semi-urban setting, with buildings and debris in the background. The person is depicted in a moment of alertness or movement, suggesting a context related to military operations or conflict. The environment looks tense and potentially dangerous. Rojava, Utopia in the Heart of Syria’s Chaos Chris den Hond, Mireille Court, November 2017 ROJAVA: A Utopia in the Heart of Syria’s Chaos - YouTube While battling the Islamic state, Kurds and other ethnic groups in Northern Syria are trying to install a political project. They call it the (…)
  • The image features a mural on a wall depicting two main figures. On the left, a man in a suit sits at a table covered with a red tablecloth, holding a loaf of bread and looking directly at the viewer. To the right, another figure dressed as a waiter stands with a tray, while dark shadows cast behind them suggest more figures or a hidden narrative. The phrase "THE RICH FEED ON THE POOR" is painted prominently nearby, conveying a theme of social inequality and critique of class disparity. The background includes urban elements like buildings and greenery, adding to the setting of the mural. Editorial Persistent Stagnation of Arab Economies The Dark Forecasts from the International Monetary Fund and the World Bank Jean-Pierre Sereni, October 2017 Last week a faint breath of optimism could be detected at the annual meeting in Washington of the International Monetary Fund (IMF) (…)
  • The image depicts a nude figure seated with their back to the viewer, captured in a monochromatic charcoal style. The figure has a slightly turned profile, showcasing a sense of contemplation. The body is rendered with soft, flowing lines, contrasting against the darker, shadowy background. The light appears to create a dramatic play of shadows, emphasizing the contours and curves of the figure. The overall mood is introspective and artistic, focusing on the human form and its relationship with light and darkness. Books Youssef Abdelke: the Naked Against the Dead Emmanuel Daydé, October 2017 The Syrian painter Youssef Abdelke exhibits his latest works —a series of nudes— at the Claude Lemand Gallery in Paris until November 18. “He’s alive, we’re dead !” This cry on a poster showing a martyr of the Syrian (…)
  • The image shows a formal gathering where two men are shaking hands, likely after a significant agreement or event. They are standing at a table with flags of Palestine and Egypt displayed in front of them. Behind them, a group of men appears to be applauding or showing support. The setting looks official, possibly within a government building, with a modern architectural backdrop. The atmosphere seems positive, indicating a moment of cooperation or partnership. A Fatah-Hamas Agreement in the Shadow of Egypt Leïla Seurat, Mohamed Younis, October 2017 Does the rapprochement between Hamas and the Palestinian Authority, drafted under the watchful eye of Egypt, have a better chance of uniting the Palestinian people than the previous attempts? This time, many factors (…)
  • The image shows a parliamentary session in Tunisia, with a focus on a hand holding a book titled "Constitution de la République Tunisienne" (Constitution of the Tunisian Republic). In the background, a large assembly of representatives is seated in a formal, legislative setting, likely discussing or voting on matters related to the constitution or other important legislative issues. The architecture of the chamber features ornate details, and national flags are visible, emphasizing the official nature of the event. Tunisia: Towards the Restoration of Personal Power Constitutional Reform Announced Thierry Brésillon, October 2017 Beji Caid Essebsi announced last September a forthcoming revision of the Constitution adopted in January 2014, which set in stone the gains of the 2011 Revolution. (…)
  • The image shows a night scene of a demonstration or rally, where a person is holding up a sign. The sign features a simplistic representation of a male figure and a female figure, with an equals sign between them, suggesting a message of gender equality. In the background, a crowd can be seen, along with red flags that likely represent a political or social movement. The atmosphere appears to be vibrant and engaged, reflecting a collective message or cause. Tunisian Women in Favour of an Egalitarian Heritage A Long-Term Battle Sophie Bessis, October 2017 On last September 13, exactly one month after his promises made on Women’s Day, Beji Caid Essebsi abrogated the 1973 decree prohibiting marriages between a Muslim woman and a non-Muslim (…)
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