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  • Home
  • Themes
    • Israel/Palestine
    • History
    • People and minorities
    • Women
    • Conflicts
    • Religion
    • Economy
    • Terrorism
    • Media
    • Human Rights
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  • Countries
    • North Africa
    • “Levantine Countries”
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  • The image shows a densely populated hillside area with a mix of residential buildings. The structures vary in height and architectural style, with many appearing stacked closely together. Some roofs are visible, displaying a range of materials, from tiles to concrete. In the background, more houses and buildings can be seen on the sloping terrain, suggesting a continuation of urban development. The overall scene has a somewhat hazy atmosphere, possibly due to distance or weather conditions. Israel-Palestine. A Magnifying Mirror of the Future Against a Background of Population Growth Ezra Nahmad, August 2018 Israeli and Palestinian demographic forecasts point to population growth and a rise in urban density. They present the outlines of a disquieting social (…)
  • The image shows a formal setting, likely a meeting or conference related to international diplomacy. In the foreground, there are three individuals seated at a table, each identified by nameplates indicating their affiliations: the United States, the European Union, and Iran. The woman in the center, dressed in a professional outfit, appears to be the main speaker or moderator. Behind them, several other individuals are visible, suggesting a diverse group of participants in the meeting. The backdrop features a decorative pattern, adding a cultural context to the setting. How will Iran Rise to the Challenge of America’s Escalation? Clément Therme , August 2018 From August 7, foreign companies active in Iran must comply with new US sanctions concerning Iran. Several European companies, including PSA and Total, have already announced their (…)
  • The image depicts a large crowd gathered in a street at night, participating in a protest or demonstration. Many individuals hold signs, and a prominent banner at the front reads "ENOUGH L7OGRA." There is also a large portrait of a person displayed, likely related to the cause of the protest. The atmosphere appears charged, with people expressing their views collectively in a public space. Streetlights illuminate the scene, highlighting the participants and their messages. Hirak. Stick Approach, the Only Response of Moroccan Power Anass Khayati, July 2018 The heavy sentences which struck the leaders of the Hirak confirm that the Moroccan power refuses to hear the popular demands. It knows only one response to social and democratic aspirations: (…)
  • The image depicts a desert landscape with a prominent facility in the background. This facility features a large, domed structure, likely indicative of a scientific or research establishment, alongside tall smokestacks or cooling towers. The setting appears arid, with sparse vegetation, and the horizon stretches into the distance, emphasizing the isolation of the facility. The overall atmosphere conveys a sense of industrial or technological presence amidst a natural environment. Appeal Denuclearizing the Middle East, Resolving the Arab-Israeli Conflict July 2018 Launched by teachers from the American University of Princeton, signed by researchers on both sides of the Atlantic, this declaration calls for a break with Donald Trump’s policy of (…)
  • The image shows a group of people working together to paint or prepare a large mural or banner. The mural features a prominent circular design with the name "Abdel-Moneim Abol Fotoh" and the year "2012." There is a dragon motif in the background, which suggests a strong and bold theme. Some individuals are on ladders, actively engaged in applying paint, while others are gathered below, possibly helping or observing. The people are dressed in a variety of clothing styles, and there are some individuals wearing colorful wigs, indicating a festive or celebratory atmosphere. The backdrop is bright orange with various designs. Aboul Fotouh in Jail, Egypt in Chains Bjorn Olav Utvik, François Burgat, July 2018 In 2013, a coup brought the army to power in Egypt. Five years later, all the benefits from the January 2011 revolution are liquidated and no dissenting votes are allowed. Those who like Abdel Moneim Aboul Foutouh embodied the hopes (…)
  • The image shows three men sitting side by side in a formal setting, likely within a legislative or governmental assembly. They are dressed in business suits, with two wearing ties—one in red and the other in a lighter color. The background suggests a gathering or meeting, with a group of people seated behind them. The scene conveys a sense of seriousness and official duty. Tunisia. False Coup, Real Political Crisis Thierry Brésillon, July 2018 The dismissal on June 6 of Lofti Brahem, the Minister of Home Affairs, gave rise to the rumor of a coup in the offing. It was a symptom of a growing restiveness in Tunisia while the sensitive issues are piling up and the (…)
  • The image depicts a group of people holding up signs with messages in French. The main focus is on two individuals in the foreground. One is wearing a hijab and both are raising their signs high, which read "Sauvons la liberté!" (Save Liberty!). The atmosphere suggests a protest or rally, with a sense of solidarity and determination among the participants. The background is filled with more people and signs, contributing to the overall theme of advocating for freedom. The Late Freedom of Expression in Morocco Ilhem Rachidi, June 2018 The policy of openness that followed the emergence of the February 20 Movement in 2011 did not last long. Once again freedoms are curtailed, demonstrators thrown into prison, to such an extent that certain activists come to (…)
  • The image depicts a crowd of people holding up green flags. The flags feature a logo that includes Arabic text and a symbol, likely associated with a political or religious group. The scene appears to be one of a gathering or demonstration, with an emphasis on the flags being waved prominently. The background suggests an outdoor setting, possibly near a mosque or a public place. Interview Is Islamism the Muslim Form of Liberation Theology? Alain Gresh, Asef Bayat, June 2018 There is no doubt that Islamism, in its various forms, plays a major role in the evolution of Muslim societies, in the struggles that are developing there. What explains this centrality? Can we draw a (…)
  • The image shows a man standing in an office setting. He is dressed in a formal suit and has a friendly expression. Behind him, there are two portraits displayed on the wall, likely of influential figures. The office has decorative elements, including a floral arrangement and a neatly organized desk with various items. The overall atmosphere conveys professionalism and authority. Iraq. Has the Sadrist Movement Rallied to the Fight against Confessionalism? Interview with Dhia Al-Asadi Quentin Müller, June 2018 Having won the recent parliamentary election, Moqtada Al-Sadr and his Sadrist Movement are seeking to reshape the political (…)
  • The image shows a boat on a body of water with several individuals on board. The boat has a prominent banner that reads "SHIP TO GAZA," and it is adorned with various flags, including the Palestinian flag and the flag of Sweden. In the background, there are trees and buildings along the shoreline. The scene conveys themes of solidarity and activism related to Gaza. Boats for Gaza: Forbidden to Dock in Paris Chris den Hond, June 2018 Two boats for Gaza were forbidden to dock in Paris by the prefecture on Sunday 17 June. “They are part of the International Freedom Flotilla, which about every two years tries to break the illegal blockade of Gaza,” says (…)
  • The image depicts a bustling urban scene, likely in a modern city. In the foreground, streaks of light from moving vehicles indicate heavy traffic on a multi-lane road, while palm trees line the sides, adding a touch of greenery. In the background, prominent skyscrapers with reflective glass facades dominate the skyline under a cloudy sky, creating a dramatic atmosphere. The scene captures a blend of modern architecture and vibrant city life, illuminated by streetlights and the fading light of sunset. Saudi Arabia, A “Revolution” From Afar Faisal Abualhassan, June 2018 The idea that Saudi Arabia’s transformations were simply decreed, overnight, by a simple decision at the top, ignores the profound transformations that society has undergone for decades. Speaking at an (…)
  • The image features a man expressing anger or frustration, likely as part of a protest or social movement. The text includes the word "مقاطعون" (meaning "we boycott" in Arabic) and suggests a call for a boycott against certain products, as represented by crossed-out symbols of specific beverages: Sidi Ali (a water brand), Afriquia (a drink brand), and another beverage. The background shows a crowd, indicating that this is related to a larger movement or demonstration. Overall, it conveys a strong message of dissent against these brands. Morocco: “His Majesty’s Bosses” Boycotted Omar Brouksy, June 2018 Launched by anonymous cybernauts over a month ago, a large-scale movement to boycott brands owned by the King’s entourage is as unprecedented as it is successful and has become a genuine societal phenomenon. In (…)
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