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  • Home
  • Themes
    • Israel/Palestine
    • History
    • People and minorities
    • Women
    • Conflicts
    • Religion
    • Economy
    • Terrorism
    • Media
    • Human Rights
    • Societies
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  • Countries
    • North Africa
    • “Levantine Countries”
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  • The image depicts an abandoned street scene, where several old buildings are visible with boarded-up windows and doors. The surroundings are overgrown with grass and weeds, suggesting neglect and disrepair. In the foreground, there are thorny branches or barbed wire, adding to the sense of desolation and possibly creating a feeling of confinement. The overall atmosphere feels eerie and forgotten, highlighting the passage of time in this once-active area. The case for an independent Turkish Cypriot State within the EU Thinking the unthinkable Hugh Pope, April 2014 A new round of talks has started in Cyprus. But it is unlikely that it will produce any viable solution for the (…)
  • The image shows a panoramic view of a mountainous landscape with a town nestled in the valleys. The foreground features a mix of low-rise buildings, some with red rooftops, and greenery, including trees and hills. In the background, a larger urban area can be seen with taller buildings, likely indicating a more developed part of the town. The sky appears slightly overcast, with mountains extending into the distance, adding depth to the scene. The overall atmosphere suggests a blend of natural beauty and urban development. Syrian Armenians are caught in the middle of a propaganda war The regime lies, Turkey interferes Vicken Cheterian, April 2014 On March 21 the attack on Kessab, a Syrian town inhabited by Armenians, triggered an intense campaign of propaganda based on supposed “massacres” (…)
  • The image features a group of eleven soldiers standing closely together, wearing olive green military uniforms and boots. They appear to be in a celebratory mood, with smiles and casual poses. The background suggests a stone wall, possibly the Western Wall in Jerusalem, indicating a significant location. The soldiers carry some equipment, hinting at their military roles. Overall, the image conveys camaraderie and a sense of accomplishment among the group. Does volunteering for Israeli army comply with international law ? Marc Cher-Leparrain (1956-2019), March 2014 A dozen states in the world are opening the doors of their army to foreign nationals. A single country however is opening them according to sole ethno-religious criterion : Israel. (…)
  • The image features a man seated in a richly decorated chair, wearing traditional attire. He is dressed in a white dishdasha, complemented by a decorative cape, and a turban, which is traditional in some Middle Eastern cultures. The background consists of intricate woodwork and ornate design elements, suggesting an opulent setting. The man's expression appears calm and thoughtful. Oman says No to Saudi Arabia Marc Cher-Leparrain (1956-2019), January 2014 Unlike Saudi Arabia, locked into its hostility toward Iran, Oman has always been able to maintain good neighbouring policy with the Islamic Republic. While Riyadh sees Shia Iran as a dangerous political and religious rival to its own hegemony in (…)
  • The image depicts a crowd gathered in an urban setting, likely during a protest or demonstration. In the foreground, a man holds a large sign with Arabic text, which translates to "Our demands are not to be ignored." In the background, there is a building displaying the Egyptian flag, suggesting a context related to political or social issues in Egypt. The scene conveys a sense of activism and public expression, with people rallying for their rights or changes in governance. Egypt’s Quest for Itself Peter Harling, Yasser El Shimy , January 2014 Egypt’s transition is as contradictory and tempestuous as the current state of its society, and tells us much about it. What is still lacking is a sense of direction that could reassure both Egyptians and onlookers on where it is heading. Instead, (…)
  • The image features a wall covered in graffiti and artwork. Prominent elements include the Egyptian flag, the date "25 January 2011," and references to the revolution. Phrases in Arabic and English express themes of hope, such as "Better Future" and "إرادة," meaning "will" or "determination." The background suggests a lively and politically charged atmosphere, symbolizing the spirit of change during the Egyptian revolution. Various colors like red, black, and white are used, enhancing the visual impact of the message. Ideological Warfare in Egypt and the Fight over January 25 Ahmed Kadry, September 2013 On January 28 2011, the day Egyptians remember as “The Day of Rage,” I made my way from work in downtown Cairo and headed towards Tahrir Square. My cousin had called me at work from his house half (…)
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