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  • Themes
    • Israel/Palestine
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    • Conflicts
    • Religion
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  • The image depicts a scene with damaged military vehicles, likely military trucks, that appear to be abandoned or destroyed along a road. In the background, there is a large, partially constructed building with a distinctive pyramid-like shape. The setting suggests a location that has experienced conflict or destruction, and the lighting gives the scene a bright, almost surreal quality. There are a few individuals visible in the background, indicating some activity in the area. Overall, the image conveys a sense of desolation and the remnants of past turmoil. Mosul, Key to the Future of a Unified Iraq Take Back the City . . . and Then What? Myriam Benraad, October 2016 Iraqi Premier Haïdar Al-Abadi and US President Barack Obama have promised impending defeat of the Islamic State organization (IS) in Mosul. However the battle for the nerve (…)
  • The image depicts a historical view of a coastal town near a body of water, likely a lake or sea, with a prominent lighthouse tower standing tall in the background. The landscape features a mix of stone buildings and ruins, suggesting a blend of architecture that may reflect the area's history. Surrounding the town are hills or mountains, adding depth to the scene. The overall mood is serene and nostalgic, capturing a moment from the past with a monochromatic or sepia tone. The Expulsion of the Jews from Tel Aviv-Jaffa to the Lower Galilee, 1917-1918 Gur Alroey, September 2016 Before the advance of the British troops in Palestine, the Ottoman military governor, Jamal Pasha, ordered in March 1917 the evacuation of residents of Tel Aviv and (…)
  • The image depicts a line of mounted warriors or soldiers, likely from a historical context. They are on horseback, holding spears or similar weapons, and are dressed in traditional clothing that suggests their cultural identity. The setting appears to be an open, dry landscape, possibly a desert or arid region. The overall sepia tone gives the photograph an aged appearance, typical of early 20th-century photography. The formation and attire indicate that it could represent a military or ceremonial gathering. German Asymmetric Warfare in World War I Reassessing the Strategy of Holy War in the Middle East Alexander Will, August 2016 Germany’s unorthodox World-War-I-operations in the Near and Middle East do not suit as proof for aggressive imperialism. These operations were rather (…)
  • The image depicts a group of people walking along a rocky path in a barren landscape. They appear to be headed toward a distant town or village, which is visible in the background. The group consists of several adults, some of whom are carrying burdens on their heads, and a child walking alongside them. The terrain is dry and rugged, with scattered rocks and sparse vegetation. The sky is clear, and the scene conveys a sense of movement and migration through a rural setting. A Consul for all Seasons: the Spanish Diplomatic Mission in Jerusalem during World War I Roberto Mazza, June 2016 Antonio de la Cierva y Lewita, Count of Ballobar, was a Spanish consul in Jerusalem from 1913 to 1919. In charge of protecting Spanish (…)
  • The image depicts a group of soldiers walking along a muddy path. They are dressed in military uniforms typical of the early 20th century, with notable features like baggy trousers and headgear, indicating a specific cultural or historical context. One soldier is on horseback in the background, while another man stands to the side, possibly observing. The environment appears rural, with sparse trees lining the path. The overall atmosphere conveys a sense of movement and purpose in a military setting. Algerians and the First World War Gilbert Meynier, May 2016 Throughout the First World War, Algeria has provided the French colonial power not only substantial material support, but especially thousands of “indigenous” soldiers. Zouaves and “tirailleurs”, praised for their bravery, yet never had (…)
  • The image features a young woman dressed in a red and white outfit, with a hijab, who is adjusting her clothing. She is holding a flag that represents France, with the colors of blue, white, and red. The background suggests a public gathering or demonstration, with people present in a city setting. The atmosphere appears to convey themes of identity and cultural expression. The Veil and the Political Unconscious of French Republicanism Joan W. Scott, April 2016 The French obsession with the veil exceeds that of most other countries in the West. Why? Analysis of an American historian specializing in France. The official French preoccupation with (…)
  • The image depicts a man in a white jumpsuit, appearing to smile or show a light-hearted expression. He is wearing handcuffs and seems to be gesturing with his hands, possibly in a playful or confident manner. The background appears to be a dimly lit space, which adds to the atmosphere of the scene. [Reporting Stories of Egyptian atheists in a hyper-religious society Clothilde Mraffko, March 2016 Although atheists are a tiny minority in Egypt, their convictions have provoked many debates, especially since the uprising of January-February 2011. Yet it is still very difficult for anyone to (…)
  • The image depicts a historical scene with a group of military personnel walking together in a line. They are dressed in formal military uniforms and accessories, including hats and medals, indicating a high rank or importance. The setting appears to be outdoors, possibly on a dirt or gravel path, with tents in the background suggesting a military camp. The overall tone of the photograph has a sepia or monochrome effect, conveying a sense of history. The individuals appear to be engaged in conversation or in a social setting, reflecting camaraderie among them. Germany’s Failed Pan-Islamic Propaganda Campaign of 1914-1918 Colonialism, Islam and Nationalism Tilman Luedke, September 2015 The strategic and economic situation of Germany at the outbreak of war was, in fact, rather bleak. Mainly for fault of its own, the country (…)
  • The image depicts a historical gathering of people, likely in a desert or rural setting. In the center, a group of men is seated around a large circular dish, which appears to contain food. They are dressed in traditional attire, with some wearing turbans and others in military or colonial-style uniforms. The background features a tent or canopy, suggesting a communal or ceremonial atmosphere. The mood seems convivial, as the participants engage with one another, possibly sharing a meal or discussing important matters. Overall, the scene reflects cultural practices and social interactions from the past. British Anxiety about Jihad in the Middle East Donald M. McKale, June 2015 Historiography on World War I in the Middle East has emphasized overwhelmingly Britain’s role in encouraging the Arab revolt in 1916 against Turkey and in establishing the Allies’ controversial peace settlements. T.E.(…)
  • The image depicts a group of soldiers marching along a dirt pathway, likely in a historic setting. They are mounted on horses and are arranged in formation, indicating a military procession. In the background, there are stone buildings and a green landscape, suggesting a rural or semi-urban environment. Some individuals are also present on foot, possibly observing the parade. The overall tone of the photograph is sepia, contributing to its historical feel. The Armenian Question and the Turkish-German Alliance (1913-1914) Thomas Schmutz, March 2015 This article examines the German role concerning the reform question in Eastern Anatolia in 1913 and 1914, in particular to resolve the Armenian issue. It sheds new light on the degree (…)
  • The image depicts a group of people gathered in an agricultural setting, likely in the early 20th century based on the clothing styles. There are both men and women, some wearing traditional garments and hats. They appear to be taking a break from farming activities, sitting on the ground with various tools and baskets nearby. The landscape in the background features fields and hills, suggesting a rural environment. Overall, it captures a moment of community among laborers. The Jewish Yishuv in Ottoman Palestine Contradictions of the Ottoman Policy Yuval Ben-Bassat, February 2015 Even before the birth of political Zionism and then from 1882, the first wave of Jewish immigration settled in Palestine. On the eve of 1914, Jews accounted for 80 000, namely about (…)
  • The image depicts a large group of soldiers lined up in a formation during a military event, likely a parade or review. The soldiers are dressed in uniforms typical of early 20th-century military attire, complete with helmets and boots. Some are holding rifles, and there are banners or flags present. In the background, more soldiers can be seen in organized rows, suggesting a significant military presence. The setting appears to be an open field, with hills or mountains visible in the distance, indicating a potentially historic or ceremonial occasion. The image has a monochromatic tone, typical of photographs from that era. What was Different about the Ottoman War? Erik Jan Zürcher, October 2014 We can approach the immense historical phenomenon of World War I on different levels: global, national, regional and even local. On one level World War I, or the “Great War” as it was known until 1939, certainly was a world (…)
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