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  • Home
  • Themes
    • Israel/Palestine
    • History
    • People and minorities
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    • Conflicts
    • Religion
    • Economy
    • Terrorism
    • Media
    • Human Rights
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  • The image depicts the interior of a beautifully ornate religious site, characterized by intricate mirror work and elaborate decorations. The ceiling is adorned with shimmering tiles and a large chandelier, creating a luminous atmosphere. There is a golden structure at the center, likely a shrine or tomb, surrounded by a crowd of women wearing traditional black clothing, all appearing to be engaged in prayer or reflection. The walls and ceiling are richly decorated with calligraphy and other designs, enhancing the sacred ambiance of the space. [Reporting Iraq. Karbala, safe haven for Lebanese refugees Héloïse Wiart , November 2024 Several thousand Lebanese Shi’i, fleeing Israeli bombing, have found refuge in the Iraqi holy city of Karbala, one of the most sacred places in Shi’i Islam and the site of Imam Hussein’s shrine. The population has (…)
  • The image features a man sitting with his back to a reflective surface, creating a mirror effect. He has short, dark hair and is wearing a light blue shirt. His expression is pensive, with a serious look on his face as he gazes thoughtfully to the side. The surroundings indicate a cozy indoor setting, with warm lighting and wooden elements in the background. The reflection captures both his profile and the contemplative mood of the scene. Kamel Daoud’s fascination for the far right Faris Lounis, November 2024 Labelled once and for all a “progressive writer”, Kamel Daoud is sure to see his novel “Houris” occupy pride of place in the media this autumn, regardless of its literary merits. While it is important to combat (…)
  • The image depicts a lively street scene with several characters and activities. On the left, two people are seated at a table, enjoying drinks. Nearby, two police officers walk past, dressed in blue uniforms. In the center, a man and a woman are engaged in conversation at another table. A man and a child are seen walking by, with the child holding the man's hand and the man carrying a bag. The background features archways, contributing to the overall urban setting. The color palette is simple, with shades of blue and earthy tones. To keep Palestine and Lebanon in the headlines, support Orient XXI! November 2024 Will Gaza disappear from the headlines again? With Israel extending the scope of its aggression to Lebanon, media interest in the (…)
  • The image depicts a scene of destruction where a construction or demolition vehicle is actively tearing down a building, surrounded by a group of armed soldiers. The soldiers are wearing helmets and tactical gear, indicating a heightened security context. The background features a landscape with additional buildings, suggesting a possibly urban or conflict-affected area. The atmosphere appears tense, reflecting the serious nature of the situation being portrayed. Investigation Multinationals in Europe Continue to Flout International Law in Israel’s Occupied Territories Daniel Brown, Emma Tatham, November 2024 Airbnb and other multinational companies normalize and profit from illegal Israeli settlements in the occupied West Bank, contributing (…)
  • The image depicts a scene of destruction, likely from a conflict area. In the foreground, a person wearing a blue vest with "UN" printed on it stands, facing a damaged building with shattered windows and debris scattered around. The building has signs of neglect, with graffiti and remnants of what may have been a children's play area. People can be seen in the background, possibly assessing the situation or providing assistance. The overall atmosphere conveys a sense of urgency and the aftermath of turmoil. Israel versus the UN: an old story Sylvain Cypel, October 2024 Powerless though it may be, the United Nations is Netanyahu’s bête noire, for it represents international law. Its agencies, its peacekeeping troops in Lebanon are under attack, verbally and (…)
  • The image shows two men standing at the entrance of a building, likely the White House. One man is dressed in traditional attire with a white headscarf, while the other is in a formal suit. They are both smiling and posing for the camera, with one man waving and the other giving a thumbs-up. In the background, there are uniformed guards standing at attention. The scene conveys a sense of diplomacy and cordiality between the two leaders. The United Arab Emirates take a risky but winning gamble in the Middle East Fatiha Dazi-Héni, October 2024 The official visit to Washington by the President of the United Arab Emirates, Mohammed bin Zayed (MBZ), which took place between the 23rd and 26th of September 2024 (…)
  • The image features a man dressed in a formal dark suit with a light blue tie. He appears to be in a professional setting, as suggested by the suit and tie. The background is bright red, which adds a striking contrast to his attire. The man looks serious and focused, possibly engaged in an official event or meeting. Portrait Egypt. Mostafa Madbouly, the man disfiguring Cairo Ibrahim Ezzeldin , October 2024 While the big construction sites and the new administrative capital (New Cairo) are the flagship projects of the Sissi era in Egypt, they are in fact the work of a self-effacing but determined man: Prime (…)
  • The image depicts an abstract, surrealist painting featuring a dynamic figure with exaggerated and distorted features. This figure appears to be in motion, possibly dancing or running, with flowing garments that blend into the surrounding landscape. The colors are vibrant, with a mix of earthy tones and bold reds, creating a sense of drama. In the background, there are hints of a sky and horizon that ground the scene, while the figure itself evokes a sense of emotional intensity and chaos. The overall composition combines elements of the bizarre and fantastical, characteristic of surrealism. Éditorial Gaza - Lebanon : The Western World’s War Alain Gresh, Sarra Grira , October 2024 How far will Tel Aviv go? Not content with having reduced Gaza to rubble, and perpetrating a genocide there, Israel is now extending its operations to neighbouring Lebanon with the same methods, the same massacres, (…)
  • The image depicts an interior view of a legislative assembly or parliament. The chamber is spacious, featuring a semi-circular arrangement of desks for members. At the front, there is a podium where a speaker or official is addressing the assembly. Large screens on either side display information or the speaker to the attendees. The walls are adorned with drapes and emblems, contributing to a formal atmosphere. Members of the assembly are seated, engaged in discussion or listening attentively. The overall setting is one of a governmental deliberation space, likely during a session or meeting. Elections in Jordan: The parties’ return to parliament Camille Abescat , October 2024 On 10 September 2024, Jordanians went to the polls to elect their MPs. Both the regional situation and the new electoral law influenced the results, and consequently the Muslim Brotherhood did (…)
  • The image depicts a moment of interaction between two individuals at a conference or event. Both people are smiling and engaged in a handshake, suggesting a friendly and positive exchange. The person on the left is wearing a suit, while the individual on the right is dressed in traditional or cultural attire with a colorful shawl. In the background, there are other attendees, some seated and others standing, indicating a busy atmosphere typical of a conference. The setting appears to be indoors, likely within a large hall or meeting room. Focus Palestine. The Right to be Like Any Other People Mostafa Barghouti, October 2024 In this text, Mostafa Barghouthi draws up the macabre balance sheet of the last year and clearly announces what awaits the Palestinians if nothing is done: the annexation of the rest of the occupied territories, (…)
  • The image features a complex, abstract design characterized by swirling patterns and textures. It predominantly uses deep reds and blacks, creating a rich, layered effect. The shapes appear almost fluid, with a sense of movement and depth, reminiscent of natural elements like lava or molten materials. Overall, it evokes a striking and intense visual experience. Anxiety-Depressive Disorders: Tunisians at The End of Their Tether Rihab Boukhayatia , October 2024 A steep rise in the number of consultations and hospitalisations for anxiety-depressive disorders, skyrocketing sales of psychotropics. Tunisians are clearly in a bad way. And as far (…)
  • The image shows two men engaged in conversation as they exit a building. One man, wearing glasses and a navy jacket, is looking at his phone while the other, dressed in a black suit, is holding a green folder. In the background, there are other people visible, indicating a busy environment, possibly a court or conference setting. The signage indicates different audience rooms, adding context to the location. France, Pessac. A classic example of governmental Islamophobia Rayan Freschi, September 2024 On the pretext of making the country safe for the Olympic games, and of repressing anti-Semitism, the Ministry of Internal Affairs has launched a campaign of administrative controls, home (…)
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