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  • Home
  • Themes
    • Israel/Palestine
    • History
    • People and minorities
    • Women
    • Conflicts
    • Religion
    • Economy
    • Terrorism
    • Media
    • Human Rights
    • Societies
    • Environment
    • Culture
    • International Relations
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  • Countries
    • North Africa
    • “Levantine Countries”
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  • The image depicts a beach scene during sunset. In the foreground, there are silhouettes of people walking along the shore, some sitting or standing by the water. The sky is filled with soft hues of orange and pink, blending into darker clouds as the sun sets on the horizon. The water reflects the colors of the sky, creating a tranquil and serene atmosphere. Overall, the scene conveys a sense of calm and natural beauty as day transitions into night. Témoignage We took a risk going to the beach Rami Abou Jamous , 31 January Rami Abu Jamous is keeping a diary for Orient XXI. The founder of Gaza Press, an agency which helped and interpreted for western correspondents, he was obliged by the Israeli army to leave his Gaza City apartment with his wife Sabah, her (…)
  • The image depicts a scene of devastation, likely in a war-torn area. In the foreground, there is rubble and debris from damaged buildings, suggesting destruction from conflict. A partially destroyed building is visible, with the name "Al Azhar University - Gaza" written on it in Arabic, indicating it is an educational institution. In the foreground, two individuals on bicycles navigate through the debris, highlighting the struggle of daily life in such an environment. The overall atmosphere conveys a sense of loss and destruction, with remnants of architecture marked by chaos. Témoignage Like all colonial powers, Israel doesn’t want an educated society Rami Abou Jamous , 31 January Rami Abu Jamous is keeping a diary for Orient XXI. The founder of Gaza Press, an agency which helped and interpreted for western correspondents, he was obliged by the Israeli (…)
  • The image depicts a distressed elderly man sitting on the ground, clutching a pole for support. He appears visibly upset, with tears in his eyes and a look of despair on his face. His clothing is worn, and he seems to be in a tough situation. There are hands reaching out to him, suggesting someone is offering help or comfort. The background shows a pavement, indicating an outdoor setting. The overall atmosphere conveys a sense of vulnerability and struggle. Témoignage Account from a Gazan worker, detained and tortured in Israel Rami Abou Jamous , 31 January Rami Abu Jamous is keeping a diary for Orient XXI. The founder of Gaza Press, an agency which helped and interpreted for western correspondents, he was obliged by the Israeli army to leave his (…)
  • The image depicts a busy street scene in an area that appears to have experienced significant damage, as evidenced by the rubble and destroyed buildings in the background. In the foreground, a woman wearing a black hijab is sitting beside a young boy. They are surrounded by stacks of canned goods and other products that appear to be for sale, indicating a market or makeshift shop. People are seen walking through the street, some engaging in commerce amid the chaotic surroundings. Colorful umbrellas, likely providing shade, add contrast to the scene. Overall, it captures a moment of resilience and daily life amid challenging conditions. Témoignage Every war has its profiteers Rami Abou Jamous , 31 January Rami Abu Jamous is keeping a diary for Orient XXI. The founder of Gaza Press, an agency which helped and interpreted for western correspondents, he was obliged by the Israeli army to leave his Gaza City apartment with his wife Sabah, her children, (…)
  • The image depicts a man speaking at a podium during an event, with a large banner of another man in the background. The backdrop features a vibrant design with a prominent, smiling portrait of the man, who appears to be a military figure. The speaker is gesturing, possibly emphasizing a point, and the overall atmosphere suggests a formal or commemorative occasion. The setting seems to be designed to honor or remember the individual in the portrait. Iran : From revolutionary strategy to nationalistic retreat Bernard Hourcade, 30 January The military rout of Iran and Hezbollah in Lebanon, and then in Syria, has overturned the socio-political and geopolitical status quo in the Middle East. The Islamic Republic will now be obliged (…)
  • The image depicts a solitary olive tree on a hillside, set against a clear blue sky. In the background, there are rolling hills and a view of a valley scattered with small buildings, likely part of a village or town. The landscape appears dry with patches of greenery, suggesting a rural area. The olive tree, with its twisted trunk and sparse leaves, stands out prominently in the foreground, adding a touch of nature to the scene. [Reporting Palestine: In the West Bank, free rein for settler brutality Jean Stern, 27 January While Gaza began to breathe again the day after the ceasefire went into effect, the nightmare continues in the rural areas and small towns of the West Bank: hundreds of dead, thousands of (…)
  • The image shows a child wearing a blue jacket walking along a sandy landscape. In the background, there are numerous temporary shelters, likely tents or makeshift homes, scattered across the terrain. The sky is a mix of soft colors, indicating either dawn or dusk. A fence topped with barbed wire runs along the foreground, adding a sense of restriction or boundary to the scene. The overall atmosphere conveys a sense of hardship, amidst the child's movement. Témoignage To boost people’s morale, sometimes you have to tell them lies Rami Abou Jamous , 25 January Rami Abu Jamous is keeping a diary for Orient XXI. The founder of Gaza Press, an agency which helped and interpreted for western correspondents, he was obliged by the Israeli army (…)
  • The image depicts a close interaction between an adult woman and a child. The woman is gently kissing the child on the forehead, while the child looks directly at the camera with a serious expression. There are hands visible in the foreground, suggesting that others are present nearby. The overall atmosphere conveys a sense of warmth and tenderness despite the child's intense gaze. The setting appears to be intimate, possibly capturing a moment of care and connection in a challenging situation. Témoignage “If there’s a ceasefire, what’s the first thing you’ll do?” Rami Abou Jamous , 22 January Rami Abu Jamous is keeping a diary for Orient XXI. The founder of Gaza Press, an agency which helped and interpreted for western correspondents, (…)
  • The image depicts a desolate landscape featuring extensive destruction, with several ruined buildings scattered throughout the area. In the foreground, there is a dirt road winding through the wreckage. Among the ruins, an Israeli flag can be seen prominently displayed, suggesting a connection to the location. The background shows additional structures and what appears to be a mountainous or hilly terrain, indicating a possibly rural setting. The overall scene conveys a sense of abandonment and turmoil. In South-Lebanon, Israel’s war is not finished Laurent Perpigna Iban, 9 January The fragile cease-fire agreed on 26 November 2024 is still not totally effective. In addition to the sporadic bombings, dozens of villages are still occupied by the Israeli army which has also placed (…)
  • The image features a complex geometric design composed of various shapes and patterns. Central to the composition is a large hexagonal structure, surrounded by intricate lines and smaller geometric figures, including cubes. The design uses a palette of colors, including blue, black, and red, with some areas highlighted in green and orange. The background includes grid-like patterns, adding depth and structure to the overall design. The arrangement appears both mathematical and artistic, creating a sense of symmetry and precision. Iraq, or the “Axis of Resistance” Upset Robin Beaumont, 7 January Twenty years after the fall of Saddam Hussein, the collapse in Syria of the other great Baathist regime has elicited varied reactions in Iraq. Neither the government, nor the Iraqi Shiite factions, which for (…)
  • The image depicts a gathering inside a beautifully decorated building with intricate architectural details. The hall features ornate tiles and a grand chandelier hanging from the ceiling. A crowd of people is visible, some holding up their smartphones to capture the moment. In the center, a man dressed in military-style attire stands on an elevated platform, addressing the audience. The atmosphere seems to be one of engagement and attentiveness, with many individuals focused on the speaker. Interview Hayat Tahrir al-Sham : An ideological conversion under the microscope Patrick Haenni, Sarra Grira , Sylvain Cypel, December 2024 The jihadi background of Hayat Tahrir al-Sham (HTS), the faction behind the offensive which brought down Bashar al-Assad’s regime, has prompted many observers to regard it as (…)
  • The image depicts a tense scene possibly related to a protest or civil unrest. In the foreground, two individuals appear to be on the ground, with one person lying down and another sitting nearby. They seem to be taking cover or seeking safety. In the background, two mounted police officers are visible, equipped with flashing lights on their helmets. There's also an Israeli flag positioned on the ground, suggesting that the situation might involve themes of national identity or political protest. The setting looks urban, with structures and concrete present, contributing to a sense of urgency in the atmosphere. Israel: Open season on “bad Jews” Sylvain Cypel, December 2024 Laws and ministerial decrees against Palestinians are being passed at top speed. As in any apartheid system it is absolutely official that there is one set of laws for them and another for Israelis. But now, such (…)
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